Showing posts with label info teater. Show all posts
Showing posts with label info teater. Show all posts

Tuesday, October 9, 2012

SENI DRAMA DAN TEATER

  Halo sahabat Djiwo Teater..,pada postingan kali ini Djiwo akan membahas tentang SENI DRAMA DAN TEATER,,,,silahkan di baca dan pelajari baik-baik yaach?
 
Kata drama berasal dari bahasa Yunani draomai yang berarti berbuat, berlaku, bertindak, bereaksi dan sebagainya: dan “drama” berarti: perbuatan, tindakan. Mengenai seni drama, terdapat beberapa pengertian yang mewakili arti dari drama itu sendiri. Pertama, drama adalah kualitas komunikasi, situasi, action (segala yang terlihat dalam pentas) yang menimbulkan perhatian, kehebatan (exciting), dan ketegangan pada pendengar dan penonton. Kedua, menurut Moulton, drama adalah “hidup yang dilukiskan dengan gerak” (life presen in action).
Terdapat berbagai jenis tafsiran orang yang mengartikan teater sebagai “gedung pertunjukan”, ada yang mengartikannya sebagai “panggung” (stage). Secara estimologis (asal kata), teater adalah gedung pertunjukan (auditorium). Dalam arti luas: teater adalah segala tontonan yang dipertunjukkan di depan orang banyak. Misalnya wayang orang, ketoprak, ludruk, srandul, membai, randai, mayong, arja, rangda, reog, lenong, topeng, dagelan, sulapan, akrobatik dan sebagainya. Dalam arti sempit: drama, kisah hidup dan kehidupan manusia yang diceritakan di atas pentas, disaksikan oleh orang banyak, dengan media percakapan, gerak dan laku dengan atau tanpadekor (layer dan sebagainya), didasarkan pada naskah yang tertulis (hasil seni sastra) dengan atau tanpa musik, nyanyian dan tari.
Antara drama dan teater ini adalah bagian dari seni pertunjukan. Edi Setyawati berpendapat bahwa “seni pertunjukan adalah sesuatu yang berlaku dalam waktu. Suatu lokasi mempunyai artinya hanya pada waktu suatu pengungkapan seni berlangsung disitu. Hakekat seni pertunjukan adalah gerak, adalah perubahan keadaan. Karena itu substansinya terletak pada imajinasi-imajinasi serta prosesnya sekaligus. Suatu daya rangkum adalah sarananya, suatu cekaman rasa adalah tujuan seninya, keterampilan teknis adalah bahannya.
Menurut RMA. Harymawan, bahwa di Indonesia terdapat sejarah naskah dan pentas, antara lain:
  1. Sebelum Abad ke-20: tak ada naskah dan pentas. Yang ada ialah naskah-naskah cerita rakyat dan kisah-kisah yang turun-temurun disampaikan secara lisan oleh ayah kepada anak. Drama-drama rakyat, istana, keagamaan, di arena, di bawah atap atau lapangan terbuka
  2. Permulaan Abad ke-20: karena pengaruh drama barat dan cara pemanggungannya (staging), timbul bentuk-bentuk drama baru: komedi stambul/ istana/ bangsawan, tonil opera, wyang orang, ketoprak, ludruk dan lain-lain. Tidak menggunakan naskah (improvisatoris), tetapi menggunakan pentas: panggungnya berbingkai
  3. Zaman Pujangga Baru: muncul naskah drama asli yang dipakai oleh pementasan amatir. Rombongan professional tidak menggunakannya.
  4. Zaman Jepang: sensor Sendebu sangat keras, diharuskan menggunakan naskah. Rombongan professional terpaksa belajar membaca. Perkumpulan amatir tidak kaget karena terdiri atas kaum terpelajar. Bagi para professional merupakan kemajuan, namun sayang karena keinsyafan.
  5. Zaman Kini: rombongan professional membuang naskah kembali. Organisasi amatir setia pada naskah, sayang sering mengabaikan pengarang, penyadur atau penyalinnya.
Setelah kemerdekaan, muncul dimana-mana di seluruh pelosok tanah air perkumpulan drama amatir, baik itu kaum awam, setengah awam, maupun ahli. Sedangkan masalah mengenai drma akan berkisar pada hal-hal berikut: pertama, naskah. Pementasan yang berulang-ulang dirasa kurang adanya senthan repertoar asing. Maka naskah ditambah dengan bumbu repertoar asing dalam proses salinan dan saduran. Kedua, pemain: banyak pementasan yang mengalami kegagalan. Karena kurangnya latihan ataupun hanya ingin jual tampang plus minimnya usia dan pengalaman, menjadi hambatan bagi pementasan. Ketiga, stage: di Indonesia telah bermunculan pelbagai gedung-gedung pertunjukan. Di sini peran dari tempat teater akan menentukan watak pertunjukan itu sendiri. Keempat, penonton: masyarakat cukup mempunyai minat. Hal ini yang mendorong munculnya berbagai perkumpulan drama.

Sedangkan untuk bentuk-bentuk teater, antara lain:
  1. Yang lahir dalam lingkungan desa: kegiatannya yang terikat erat oleh persoalan kehidupan sehari-hari dalam desa, yaitu adat dan agama. Contoh: pada kehidupan teater Bali.
  2. Yang lahir di Keraton: pertunjukan dilakukan pada upacara-upacara tertentu dan para pelakunya adalah keluarga bangsawan.
  3. Yang tumbuh di kota-kota: ia lahir dari kebutuhan yang timbul dengan tumbuhnya kelompok-kelompok baru dalam masyarakat dan sebagai produk dari kebutuhan baru.
  4. Yang diberi predikat madern atau kontemporer: ia menampilkan peranan manusia bukan sebagai tipe namun sebagai individu.
 Demikian posting dari Djiwo,silahkan lanjut baca di postingan berikutnaya,,,,salam budaya,,!!


SUMBER : dunia2009.blogspot.com

Monday, May 14, 2012

A good way of acting

Acting GOODActing not only in the form of dialogue, but also in the form of motion.A good dialogue is the dialogue:1. sound (both volumes)2. clear (well articulated)3. tnderstood (correct pronunciation)4. to live (according to the demands / life roles defined in the text)5. Balk motion is the motion that:6. looks (good blocking)7. clear (no doubt, convince)8. understandable (in accordance with the laws of motion in life)9. to live (according to the demands / life roles defined in the text)Explanation:1. Volume is a good sound can be heard far away.2. A good articulation is clear pronunciation. Every syllable spoken in a clear and bright even though spoken very quickly. Do not place the words spoken to overlap.3. The correct pronunciation pronunciation of words that correspond to the pronunciation of the language of the law. For example, bold, which means "fear not" dare not be uttered air-ani.4. Appreciate or animate means of pressure or greeting song should be able to give the impression that according to the demands of the role of the manuscript.5. Blocking is the placement of players on the stage, cultivated among the players with each other does not cover each other so that the audience can not see the player who is covered.6. The player looks better most of the front of the body than the visible part of the rear body. It can be set with the following standardsa. If you stand facing to the right, then right foot should be in front.b. If you stand facing to the left, then left foot should be in front.c. Must be set also balance the players on stage. Do not let all the players clustered in one place. In the event that set the balance, composition:· The right side is heavier than the left· The front is heavier than the rear· The higher the weight than the low· The width of the narrow heavier than· The light is heavier than the dark· Overlooking heavier than the backsComposition aims to set not only unsightly but also for coloring according to the last scene; Obviously, no doubt, convince, having the understanding that the motion is done not even half-way not to overdo it. If in doubt impressed rigid while that seemed excessive over-acting. Understandably, then what we realized in the form of motion does not deviate from the laws of motion in life. For example, when the heavy lifting with his right hand, then our body will be tilted to the left, and so on. Appreciate the mean motions of the limbs or facial movement should match the demands of the role of the manuscript, including the shape and age.

sense of drama and theater

A. DRAMADrama means action, action. Derived from the Greek "draomai" which means the act, in effect, acting and so on. Drama is a life characterized by motion. Conflicts of human nature is the main source of dramaIn Dutch, is toneel drama, which was then the VII created the term PKG Mangkunegara Theatre.Drama (δρᾶμα Ancient Greek) is a form of literature that has a part to be played by actors. Vocabulary is derived from the Greek meaning "action", "action". Drama can be realized with a variety of media: on stage, film and or television. Drama is also sometimes combined with music and dance, as an opera.2. THEATREEtymologically Theatre is a theater or auditorium. In a broad sense, theater is all a show performed in front of crowds. Theater can also be interpreted as a drama, the story of life and human life as told on stage with the media: conversations, gestures and behavior based on a written script is supported by the decor, music, singing, dancing, etc..Theatre (in English "theater" or "theater", French "theater" comes from the Greek "theatron", θέατρον, which means "the place to watch") is a branch of the performing arts related to the acting / acting in front of an audience by using a combination of words, gestures (gestures), facial, puppets, music, dance and others. Bernard Beckerman, head of the drama department at the University of Hofstra, New York, in his book, Dynamics of Drama, theater defines as "that occurs when one or more human beings, isolated in a time / or space, present themselves to others." Theatre can also take the form: opera, ballet, mime, kabuki, puppet shows, classical Indian dance, Kunqu, mummers play, improvisation and pantomime performance.

Theater In Other Languages

Theatre (English: theater or theater, Théâtre French word derived from theatron (θέατρον) from the Greek, meaning "a place to watch"). Originally introduced in the cult itself Dyonisius, initially as a ritual sacrifice of sheep / cattle to Dyonisius and chants used at that time called the "tragedy". in the form of development Dyonisius animal god was later turned into a human being and worshiped as the god of wine and fertility. [1] is a branch of the performing arts related to the acting / acting in front of an audience with using combinations of speech, gesturds (gestures), facial, puppets, music, dance and others. Bernard Beckerman, head of the drama department at Hofstra University, New York, in his book, Dynamics of Drama, theater defines as "that occurs when one or more human beings, isolated in a time / or space, present themselves to others." Theater can also take the form: ketoprak, ludruk, plays (radio, television), opera, ballet, mime, kabuki, puppet shows, classical Indian dance, Kunqu, mummers play, improvisation and pantomime performance.